Renée T. Coulombe
Renée T. Coulombe, Ph.D., is an artist, musician and scholar of considerable breadth: composer, improviser, media artist, producer, critical theorist and publisher. She is founder of the new media publishing company, Banshee Media, and the international transmedia performance collective, Improvised Alchemy, both explore the nexus of emergent media art, immersive technologies and digital distribution. Collaborating across borders, genres and disciplines bringing unique visions to life. In 2018, she opened The Willows Nest, the production, teaching and community arts space in the historic neighborhood of Friedrichshain, Berlin. She is also the host and producer of the Sounds Curious podcast exploring fringes of sound art, field recordings, experimental composition and improvisation.
A prolific experimental musician and improviser, she has performed around the globe in a staggering diversity of venues as both a refereed and invited visiting artist, including many performances with her free-funk collective Erroneous Funk. She has recordings available on Everglade, Open Space, and through Banshee Media. In 2018 she completed her Deep Listening Certification through the Center for Deep Listening (Rensselaer Polytechnic University) joining the global ranks of workshop leaders and practitioners certified through the new Deep Listening Institute. As an academic, she has taught at the University of California, San Diego, University of San Diego and Mesa College. From 2000 to 2010, she was an Assistant Professor of Music Theory and Composition at UC Riverside, where she also founded and directed the Free Improvisation Ensemble, represented the campus in the UC Institute for Research and the Arts, and produced several system-wide interarts events. As a scholar, she is published widely on topics of contemporary music, sound art and music in media, in international anthologies and journals; she presents her scholarly work regularly as both invited and refereed panelist at conferences around the globe. She is an associate editor of Perspectives of New Music and contributing editor to The Open Space Magazine.